Author: Chandler O’Leary

  • The wind through the trees

    The wind through the trees

    After Monday’s post, and all the noise and disruption present in that sketch, I felt like something a little…quieter today. I did this drawing almost a year ago, on a gorgeous Sunday that should have had the park packed with picnickers. For whatever reason, though, the Tailor and I had the place entirely to ourselves.…

  • Of man camps and mass destruction

    Of man camps and mass destruction

    I always embark on road trips with the expectation that I’m going to delight in what I see along the way. Mostly that’s the case—I’m interested in just about everything, and the road is always full of pleasant surprises. But while this blog mostly has been a collection of things I love, I also sketch…

  • The final tally

    The final tally

    If you happen to follow along on Instagram or Facebook, you’ll know I’ve just returned from a 4000+ mile road trip across the south and west of the county. One of the things I like to do at the end of a trip (and the end of my sketchbook) is a map and recap of…

  • Garden notebook

    Garden notebook

    On this morning I took a hike in a part of the world I know very well. Yet while the path was familiar, the rocks seemed to get more alien the more I stared at them. I kept trying different angles and colors, but I never did manage to nail down what I was looking…

  • Pocket bestiary

    Pocket bestiary

    Another reason I sometimes draw in black-and-white is when I’m racing a moving target. I may yet add color to these doodles someday, but on the day I drew them, I was more concerned with jotting down each animal before it moved away. It’s a good exercise if you want a drawing challenge—or if you…

  • Black, white and drawn all over

    Black, white and drawn all over

    Other times, I do the opposite of what I showed you last time: I skip the color entirely, and focus purely on the line. I wish I could tell you that the reason for it this time was for some lofty, arty purpose…but, uh, no. I skipped the paint this time because I was hungry,…

  • Palouse palette

    Palouse palette

    Every once in a while, I don’t even bother starting with a line drawing, and just go straight to watercolor instead. On this day, the dust being kicked up by tractors had obliterated much of the definition of objects in the scene. The result was a landscape distilled down to blocks of pure color, like…

  • Morning mist

    Morning mist

    On this morning, my city felt like a stage set of paper cut-outs. I just about killed this sketchbook dead by working and reworking the flimsy paper for this drawing—but even as the paper threatened to give out on me, I found myself wanting to add more and more layers. Capturing reality accurately proved elusive…

  • Quick n’ dirty

    Quick n’ dirty

    And then there are sketches where I don’t have the luxury of time. I did this sketch from a (however slowly) moving train, so I frantically blocked out the drawing in pen, and then approximated the color based on whatever was currently passing by my window. It’s maybe not the most precise or accurate way…

  • No hurry, no worry

    No hurry, no worry

    Speaking of quiet moments, I had the luxury of what felt like all the time in the world to do this sketch. In reality the whole thing took me less than an hour, but in the moment it felt like time was stretching ahead of me to the horizon—just like the rows of grapevines below.