On this morning, my city felt like a stage set of paper cut-outs. I just about killed this sketchbook dead by working and reworking the flimsy paper for this drawing—but even as the paper threatened to give out on me, I found myself wanting to add more and more layers. Capturing reality accurately proved elusive that day, but when I look at this page now, I remember the moment with perfect clarity.
Which, I suppose, is the reason I do this stuff in the first place…
And then there are sketches where I don’t have the luxury of time. I did this sketch from a (however slowly) moving train, so I frantically blocked out the drawing in pen, and then approximated the color based on whatever was currently passing by my window. It’s maybe not the most precise or accurate way to work, but it gets the job done in a pinch.
Speaking of quiet moments, I had the luxury of what felt like all the time in the world to do this sketch. In reality the whole thing took me less than an hour, but in the moment it felt like time was stretching ahead of me to the horizon—just like the rows of grapevines below.
I just got back from two and a half weeks of wandering in California—and by the time you read this, I’ll be on the road again, after just a few hours at home. The pre-trip scramble is never the most fun part of traveling, but I know that the trip ahead will have plenty of quiet moments like the one above.
I don’t know if it’s the shape I’m attracted to, or merely the fact that I drink a ridiculous amount of tea every day, but I’m beginning to realize that within my pile of sketches I have quite a collection of teapots. So here for your viewing pleasure…is a collection of teapots.
It seems appropriate to drink Chinese tea at the start of the lunar new year—so imagine me raising my cup to you, in wishing you a happy weekend.
Tomorrow marks the beginning of the Year of the Sheep—whether you’re in Chinatown or your hometown, wishing you a happy lunar new year!
Friday’s post got me thinking about other places where you can see (and sketch) wildlife that’s totally unfazed by your presence. And since we’re coming up on the beginning of the Year of the Sheep, the Badlands zoomed right to the top of the list today.
I’ve never done Highway One in the summer, so I’ve never seen it the way most people do—choked with tourists and traffic. I prefer to see the coast highway in the winter, where the only teeming hordes to contend with are those of the pinniped variety.
The elephant seal breeding ground on the Big Sur coast is worth pretty much any detour at this time of year. Be warned, though: don’t have too many other things on your agenda that day. Because you’re going to be so fascinated (and a little freaked out) by the spectacle before you that you’re going to want to throw your plans out the window and stay all day.
Today is the last day of CODEX, after which I’ll be hitting the road again for points south. This evening, though, I’m looking forward to a few hours of downtime in the city with friends. It’s easy to forget in a bustling place like San Francisco, but there are plenty of quiet pockets to sit and let the world around you slow down for a moment.
The main event for my California trip is happening this week, as I exhibit my work at the biennial CODEX International Bookfair. If you happen to be in the Bay Area, CODEX is really worth the trip. For one thing, it’s in a venue that is absolutely out of this world, with stunning views of the Bay and San Francisco.
For another, being able to stand in a room with hundreds of pieces of art—art that you can touch, while you have a conversation with the artist who made it—is an incredible experience. CODEX showcases the work of some of the best book artists, printmakers, paper artists and typographers working today—the result is an astounding display of artwork and ephemera from all over the world.
So if you’re local, stop by and say hello! You’ll find me at the Anagram Press table (#84), most likely with sketchbook in hand.
Fifth CODEX International Bookfair
February 8-11, 2015
Craneway Pavilion, Richmond, CA
Open today and Tuesday 12:30 to 6; Wednesday 10 to 3
Admission: $10 per day ($5 students) or $30 for multi-day pass