Tag Archives: Oregon

Ladd's Addition map sketch by Chandler O'Leary

Residential roses

June is the month of roses in the Pacific Northwest, and there’s no better place to see roses than the City of Roses. And there’s no better rose garden in the City of Roses than the diamond gardens in Ladd’s Addition. So in honor of my favorite Portland neighborhood, here are two midsummer sketches, done exactly three years apart.

Ladd’s Addition was the first planned residential development in the state of Oregon. Conceived in 1891 and mostly built between 1905 and 1930, the area is now a national historic district. In deliberate contravention of the city grid, the neighborhood is laid out in an “X” pattern with a circle park and rotary in the center. Where each diagonal street intersects one other at points north, south, east and west of the circle, there’s a small diamond-shaped garden that’s home to one of Portland’s many rose test gardens. And along every tree-lined and tree-named (though some have been rechristened in modern times; the map above shows their original names) street are many dozens of historic homes—many of which are unique or unusual examples of Craftsman-, Tudor- and Mission-style architecture.

Ladd's Addition rose garden sketch by Chandler O'Leary

Every part of this neighborhood is appealing to me—I’m a sucker for a good map, a Craftsman house and a pale peach rose. Put them all together, with a shady spot for me to sit and sketch, and I’m instantly in heaven.

Old Clatsop County Jail sketch by Chandler O'Leary

Goonie weekend

I’m a bit of a movie nut—especially for anything shot on location. I’m a sucker for films that center around real places—and Astoria, OR has featured prominently in so many movies that the entire town has become a cinema icon. This Sunday marks the 30th anniversary of the release of the 1980s free-range-kid classic, The Goonies, so I thought I’d celebrate by posting my Goonie sketches from a few years ago.

First up is the most well-known location in town, and the one that’s easiest to find: the old Clatsop County Jail from the hilarious jailbreak scene. This building is so iconic that it’s now home to a museum centered around the movies filmed in Oregon.

Goonies house sketch by Chandler O'Leary

Next up is Mikey and Brand’s house (with a glimpse of Data’s place next door). This house looks almost exactly the same as it does in the film—at least from what I could see below. I have a feeling the current owners put up with a lot of well-meaning trespassing from Goonies fans, so I wanted to be respectful of their property and stay on the sidewalk below. Oh, and incidentally, this house is literally around the corner from the school featured prominently in Kindergarten Cop (yes, I’ve sketched that, too—that’s a post for another day).

Cannon Beach sketch by Chandler O'Leary

Finally, no Goonies pilgrimage would be complete without a side trip to Ecola State Park, about a half hour south of Astoria. This is the spot where the gangster hideout was, where the kids entered the underground path to pirate treasure. From here you can spy (through the holes in a 1632 Spanish doubloon, of course) Cannon Beach below, and the silhouetted bulk of Haystack Rock—which you might recognize as the seastack that looms above the final scenes in the film.

This weekend Astoria is having a big 30th anniversary celebration, but I won’t be able to get down there for the event. So instead, you can bet the Tailor and I are going to pop up some popcorn, fire up the DVD player, and have ourselves a blast from the past.

Road trip map sketch by Chandler O'Leary

The final tally

If you happen to follow along on Instagram or Facebook, you’ll know I’ve just returned from a 4000+ mile road trip across the south and west of the county. One of the things I like to do at the end of a trip (and the end of my sketchbook) is a map and recap of the journey. Of course, there are lots and lots of sketches of the details along the way (I expect you’ll see lots of those in the coming weeks), but sometimes it’s nice to step back and look at the big picture.

Columbia River Gorge sketch by Chandler O'Leary

Staycationland

What with moving into a new house and juggling a bunch of new studio projects this year, most of my sketching in 2014 was done pretty close to home. I have a feeling 2015 is going to be very different—several road trips are already on the calendar, and I’m making plans for others. Still, I’m glad I had this year to remind me that there’s so much to see in my own back yard.

So I’m raising a virtual toast this New Year’s Eve, to the distant road ahead—and to the garden path leading right back to my own door. There’ll always be room for both.

Cannon Beach sketch by Chandler O'Leary

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Powell's City of Books sketch by Chandler O'Leary

Book bonanza

Bookstores are a big part of our annual holiday shopping rounds, and my two most sketch-able favorites are Powell’s in Portland—

Elliott Bay Book Co. sketch by Chandler O'Leary

—and Elliott Bay in Seattle. Of course I’m probably going to love any indie bookstore, but both of these places have such inviting spaces that I could stay and sketch for a year. If I weren’t so distracted by all those zillions of books, that is…

Willamette Valley sketch by Chandler O'Leary

Wintergreen

The Tailor and I took a little overnight trip to southern Oregon this weekend, blaring Christmas music the whole way down and back. It might seem odd when I tell you that the music fit in perfectly with the scenery in this sketch—but in this part of the world, the holidays mean brilliant greens, rather than bright whites.

St. Johns Bridge sketch by Chandler O'Leary

Spans and spires

Cathedral Park is one of my favorite spots in Portland. It’s pretty far off the beaten path, so I don’t know how many non-locals make it out that way, but it’s well worth the effort to get there. The park is named for the effect created by the gothic arches under the span. The long row of arches acts like a kind of barrel vault, while the diffuse Northwest light filters in at an angle—which feels a whole lot like you’re standing in the nave of the airiest cathedral you can imagine. The whole effect is as inspiring (for me) as visiting Notre Dame in Paris or St. Patrick’s in New York—only with a distinctly Northwestern spin on the experience.

Giant Frying Pan sketch by Chandler O'Leary

Serves four (hundred)

Well, I can’t feature the Winlock Egg without giving you something to cook it in, can I? Just over the coast range from Winlock is the town of Long Beach, home of the perfect roadside companion to the World’s Largest Egg.

Since it’s not exactly as flamboyant as, say, a giant orange, people often blow right by this one without even noticing it. But this giant frying pan is much more than just a monument. It’s a replica of a real, no-kidding, fourteen-foot pan that was actually used to cook food. For many years this frying pan was a permanent fixture of Long Beach’s annual Razor Clam Festival—where chefs actually used it for the clam fritter cook-off. I don’t know about you, but that fact alone raises this humble giant right to the top of my personal list of favorite roadside attractions.

Giant Frying Pan sketch by Chandler O'Leary

Speaking of which, my roadside attractions gallery exhibit is closing tomorrow (Washington folks, hurry!), so today is the last post about roadside giants—for a little while, at least. Next week I’ll be back with a different topic and a broader range of sketches. But I hope you’ve had as much fun as I have these past few weeks—because as you can probably guess, there’s a lot more where this came from.

Happy weekend—see you on Monday.