Author Archives: Chandler O'Leary

"Mork & Mindy" house sketch by Chandler O'Leary

Quiet on set

I loved Mork & Mindy as a kid—not simply because it was funny, but because it’s the first show I watched that had a strong sense of place. Silly comedies aside, it’s amazing how much that quality has affected me now—has affected the person I have become. And I realized that so much of Robin Williams’s work has had that inherent sense of place—The Birdcage, Mrs. Doubtfire, Insomnia, Jakob the Liar, Dead Poets Society, etc.—that I love so much, that I look for everywhere.

So thank you, Robin, for giving me so much more than a good laugh. May you be at peace.

Modern Pastry sketch by Chandler O'Leary

Holy cannoli

If you want the best cannoli it’s possible to get outside of Italy, you really can’t go wrong in Boston’s North End—there are plenty of places that will deliver the goods (special shout-out to Maria’s!). Probably the most famous are Modern Pastry and it’s rival, Mike’s. I’ve visited both many times over the years, and you know? They’re both wonderful. (Mike’s is especially good if you want something other than a cannoli, for a change—lots and lots of choices there.) To me it’s not worth it to go into the finer points of which ricotta is slightly sweeter, which shell is heavier, etc. Either way, I’m not complaining.

But hey—I’m an illustrator, not a food critic. If it’s going to take something extra to make me choose between two fabulous pasticcerie, I’m goin’ with the place with the best neon sign.

Just sayin’.

Sturgis Rally motorcycles sketch by Chandler O'Leary

Road hogs

I have no idea why, but it seems like every time I pass through eastern Wyoming or western South Dakota, it ends up being in the thick of the Sturgis Rally. (Hmm…I wonder if the Hell’s Angels are there right now…) It’s really the one time of the year where taking the back roads in that part of the world doesn’t guarantee you a highway all to yourself—as evidenced by our attempt at stopping for gas in the tiniest of towns. Still, the long wait for the pumps provided plenty of sketchbook gold—so I’m not complaining.

If you happen to be reading this from the Black Hills, have a great time at Sturgis this year—and drive safely!

RV sketch by Chandler O'Leary

Big rig

The day I made this sketch was the first time I’d ever stayed in any sort of RV or motorhome (the Tailor and I are more of a tent-camping couple ourselves). But when we joined the Tailor’s aunt and uncle for a few days in Rocky Mountain National Park, I felt like I was having some sort of exciting road trip rite of passage—like I’d suddenly, finally upgraded my Americana membership.

Besides, I have to say, it’s a pretty amazing feeling to wake up next to this:

Mountain sketch by Chandler O'Leary

…without the stiff neck and sore back of having to sleep on the ground first!

Barn and Model A sketch by Chandler O'Leary

A reason to celebrate

Two years ago today, the Tailor and I were at our friend Sarah’s family farm in North Dakota, celebrating her wedding to the coolest groom we know. (That barn you see above is the same one that sometimes appears as the masthead on this blog!)

Wedding sketch by Chandler O'Leary

We didn’t just get to spend a whole day in the company of people we love—we also got to experience an overwhelming feeling of home. The Christianson farm wasn’t our home, of course, but we got to bask in how much it meant to the people who had grown up on those acres. We could almost feel the years (five generations’ worth!) of memories surrounding us there. I can’t think of a better place to have a wedding, and create new memories.

Happy anniversary, Sarah and Jesse! Here’s to many more—love to you both.

Wedding fireworks sketch by Chandler O'Leary

Lavender farm sketch by Chandler O'Leary

Fragrant fields

I love summer in the Northwest, and I love drawing stripes—so you can imagine how happy I am when the two come together perfectly. If you’re ever in this part of the world in late July or early August, head up to the Olympic Peninsula and bask in the lavender fields. Between the buzzing pollinators, the fragrant blossoms, the sunny rain-shadow climate and the mountain scenery, you’ll find yourself experiencing the best summer day anyone could ask for.

Glacier National Park sketch by Chandler O'Leary

Engineered by mountain goats

When I’m planning a road trip, I try to avoid interstate highways whenever possible. When in doubt, state and U.S. highways are almost always a better choice—both for scenic drives and for interesting road vistas. But even better than that are the roads through most national parks—which are specifically designed to give visitors the most beautiful drive imaginable. And by that logic, Glacier National Park’s Going-to-the-Sun Road might just be the most spectacular ribbon of road in the whole country.

Glacier National Park sketch by Chandler O'Leary

Going-to-the-Sun Road is both a feat of engineering and a marvel of determined highway maintenance. It’s only open for a few months every year, and takes weeks to clear of snow before it opens in the summer. It’s also not for the faint of heart—I love mountain driving, but I don’t love heights, and even at our crawling pace, all those hairpin curves made my stomach plummet to the floor every few minutes.

Glacier National Park sketch by Chandler O'Leary

But oh—oh. I’d gather my courage and brave any precarious goat track for this. I’d cross a continent for a view like that.

And since our day at Glacier fell at the very end of a five-week cross-country trip–that’s precisely what we did.

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