As far as I’m concerned, supermarkets might as well not exist. The only kind of grocery store I’ll ever want is the kind with a good old vintage sign and a little bit of tasty typography.
Tag Archives: California
Blue, and gray, and green
Field geometry
Wednesday’s post reminded me that like lighthouses, I seem to have a whole collection of farm field drawings—like this sketch I did last year. I always thought the inherent lesson in one-point perspective (sketching nerds unite!) is what made these fun to draw. But now I think it’s the geometry. There’s just something so satisfying about finding perfectly ordered stripes and shapes interrupting a wild, unpredictable landscape.
Captain’s quarters
When it comes to water towers, Mendocino might just be the capital of the world. They serve a very specific purpose there: the town sits on a headland out over the Pacific, and the water table there is extremely low. So for the past 150 years or so, residents have had small wooden water towers on their properties, in case of drought during the summer. A handful are still in use, but many others have been converted into cottages, artist studios, spare rooms or storage sheds.
And a very few have become guest rooms—and I got to stay in one.
It was just about the best overnight I’ve ever had on a road trip; it felt like I was eight years old again, and had discovered some sort of secret hideout. I called a friend that night and told her where I was, and she laughed and said, “That’s so you. It’s just about the most ‘Chandler-y’ place you could have found.” Yep.
The downside, though? It’s pretty much ruined regular hotel rooms for me forever.
Golden Gatekeeper
Last week’s posts all revolved around a central theme—I liked how that idea worked out, so I hope you’ll forgive me if I run with it for awhile. This week? I’ve got bridges on my mind. And what American bridge is more iconic than the fabulous Golden Gate?
I must have drawn this thing from every angle by now—from up on the deck, from the air above, in rain, shine or fog, facing north-south-east-west. Heck, I even made it the star of my San Francisco print (which was inspired by this very day, this very sketch!).
But when I ran through my sketchbooks for today’s post, I kept coming back to the ones drawn from spots perpendicular to the span. I don’t know what it is, but there’s something about that profile that just gets me every time.
I have whole sketchbooks devoted solely to San Francisco—maybe I should just go ahead and start one that belongs to the Golden Gate alone. It sure knows how to steal a scene, doesn’t it?
Road fuel
This was a long, hard day of driving, but there was a reward at either end of it: California poppies at the finish, and Morning Glory at the start.
We’re going to need a lot of butter
Confession: I planned an entire leg of my trip around this place. Now, pretty much all of the central California coast is worth any detour, if you ask me, but when it comes to the kitsch category, Castroville’s got a permanent blue ribbon in my book. And while Giant Artichoke is not quite technically a duck, considering that all the fruit stands inside are basically mini-ducks themselves, I figure it’s close enough to count.
Rainbow road
Judging by the news lately, and all the dire terms like “polar vortex” being bandied about, I think it’s safe to say that most of the U.S. is still in the absolute dead of winter (including my neck of the woods). But I just can’t bear to post another sketch of icicles or snow. So instead I’m thinking back to one colorful California afternoon, with a rainbow of houses on my right, the Pacific on my left, and all kinds of evidence that spring lay just ahead.
New day, new year
I made this sketch at the start of the last lunar year—on a crisp morning, surrounded by orange trees, in the still-breathing heart of a Gold-Rush-era Chinatown. So here we are, with another Chinese new year upon us—wishing you a happy and prosperous Year of the Horse!
Sea to shining sea
With all the travel and sketching this year held, it’s hard to believe it’s still 2013. This year gave me 62 days out of town (a new record!) and many dozens of drawings—and best of all, brought me to both coasts. And while it feels a little like a blur when I look back on the year as a whole, I love how sketching helps keep so many individual memories intact. That’ll come in handy, as it’ll be time to start filling 2014’s sketchbooks any time now.
I can’t wait to see what those pages will hold!