I’m not really a fan of American football, but I do love seeing (and sketching!) a city transformed by a rare event. And I have to admit, it was pretty hard not to get swept up by all the excitement humming in Seattle’s very bones this weekend. So I’ll go ahead and add my voice to the chorus: Go Hawks!
Speaking of neon signs, this might not be a sketchbook post, but I figured it wasn’t too far off-topic. For those of you who might find yourselves in the Pacific Northwest this year, I’ve got a solo exhibit opening tomorrow, right here on my home turf. The show is called You’ll Like Tacoma, and features 16 new illustrations, depicting electric signs of Tacoma’s past—all arranged as day-and-night diptychs. The opening reception is tomorrow evening, but the show will be up through the end of June. Here are the details:
You’ll Like Tacoma
On display through June 30, 2014
Brooks Dental Studio (yes, it’s a dentist office that doubles as a gallery! How cool is that?!)
732 Broadway, Tacoma, WA 98402
Opening reception Thursday, January 16, 5 to 7 pm
Hope to see you there!
I don’t know about you, but I’m always tempted to let my New Year’s resolutions pile up as high as the snowbanks at Mt. Rainier. Of course, it’s much harder to fulfill them than make them, but I know there’s at least one that I’ll have no problem keeping:
Just keep sketching.
We don’t get a lot of snow in my part of Washington. So if I want to see winter weather, I usually have to do some traveling first. I always seem to feel this urge right around now, the first of the year. Maybe it’s just the white of the snow—or the hush of winter—but something about a crisp winter day feels like a blank slate.
Here’s to a fresh start—or if you’re like me, a blank page in a brand new sketchbook. Happy new year!
We’re away for the holidays this year (sketches to come, I’m sure), so instead of a tree at our house, I’ll have to settle for a picture of one. But I tell you what: there are few things more lovely than sitting for hours by the tree, basking in its glow and sketching every ornament, reliving the memories associated with each as you go.
Wherever you are today—at home or on the road—I wish you all the light and warmth of the season, with the very best of your holiday memories.
Merry Christmas.
You know…just in case the big guy wonders where all the toys are kept.
Now, I have a thing for mid-century Christmas decorations anyway. But a 160-foot star that’s been glowing in all its 4300-bulb glory for over fifty years running? Well, that’s a holiday tradition I can get behind.
This is by far the best use of a chandelier fixture I’ve ever seen. Now if only I could convince the Tailor to let me hang our tree upside-down…
Last week’s Nature Lab post put me in an “educational” frame of mind this weekend—so I thought I’d devote this week to museum sketches. First up are some brand new ones from just a couple of days ago, when I finally had the chance to see the spectacular exhibit of Peruvian art and artifacts at the Seattle Art Museum. The show covers 3,000 years of Peruvian history, so it’s a lot to take in—but it’s worth every scrap of attention you’ve got. That’s where a sketchbook comes in handy, actually—for me, it helps process all that sensory overload, so I can look back later and remember the experience as more than just an art blur.
(A word to fellow sketchers, if you go: museum rules allow sketching only with a pencil inside the galleries—which are pretty dimly lit. So I had to rough these out quickly, squinting with my nose an inch from the book, and then sprint for the nearest coffee shop afterward to ink and paint while I could still remember any color details.)
My favorite part of the show was the fact that it covered both pre-Columbian cultures and art done during and after the Conquista—so even though the sudden switch in subject matter was jarring, it was easy to see how the cultural influence—surprisingly—went in both directions.
So if you find yourself in Seattle over the holidays, grab a sketchbook and take yourself out on an art date. The show is only up through January 5, but if you make the effort to get there, you won’t be disappointed.
For every alive-and-well Paul Bunyan statue out there, there’s a roadside attraction that’s gone to seed—or given up the ghost entirely. And since you don’t see a lot of vintage kitsch in museums or public trusts, these landmarks are too easily overlooked by community restoration projects.
Not so in Seattle, my friends.
The Hat-n-Boots have been beloved by Seattle’s Georgetown neighborhood for sixty years. Originally the respective marquee and restrooms (!) for a western-themed gas station along Highway 99, these behemoths are the stuff of legends. (After all, they make a cameo in National Lampoon’s Vacation, and Elvis himself supposedly stopped for gas there.)
Thanks to the introduction of the Interstate highway, the gas station was short-lived, and by the mid-eighties, the landmarks were crumbling. Yet rather than demolish them, the City relocated and restored them in 2003, making them the centerpieces of a neighborhood park.
For that, Seattle easily deserves a tip of one’s (44-foot) hat.
